The the Armageddon Days Are Here Again Songmeanings
| The The | |
|---|---|
| Origin | London, England |
| Genres | New wave, fine art pop, synthpop, postal service-punk, alternative stone, progressive pop |
| Years active | 1979–present |
| Labels |
|
| Website | thethe |
| Members | Matt Johnson |
| Past members | Keith Laws Tom Johnston Peter Ashworth Colin Lloyd Tucker Simon Fisher Turner David Palmer Johnny Marr James Eller D. C. Collard Jim Fitting Keith Joyner Jared Michael Nickerson Eric Schermerhorn Brian MacLeod Gail Ann Dorsey Spencer Campbell Earl Harvin Andrew Kubiszewski |
The The ()[1] are an English post-punk band. They have been agile in various forms since 1979, with singer-songwriter Matt Johnson being the just constant band fellow member. The The accomplished disquisitional acclaim and commercial success in the Uk, with 15 chart singles (7 reaching the Meridian forty), and their about successful album, Infected (1986), spent thirty weeks on the nautical chart. They followed this with the Tiptop Ten albums Listen Bomb (1989) and Dusk (1993).[ii]
History [edit]
Early years (1977–1981) [edit]
In November 1977, Matt Johnson placed an advert in NME, asking for "Bass/lead guitarist into The Velvet Surreptitious/Syd Barrett". Johnson later placed a second ad in the NME, stating his new influences as "The Residents/Throbbing Gristle".
While trying to become his band going, in 1978 Johnson had recorded a demo solo album (See Without Existence Seen) which he connected to sell at various underground gigs on cassettes. In 1979, working with Colin Lloyd-Tucker (a friend and colleague at De Wolfe Music, the Soho music publisher/recording studio) Johnson recorded his offset anthology proper, Spirits. This album remains unreleased, although the track "What Stanley Saw" was later licensed to Cherry Red Records for their Perspectives & Distortion compilation anthology, which likewise featured Virgin Prunes, Lemon Kittens, Thomas Leer, Kevin Coyne and Mark Perry.
The The made their debut at London's Africa Centre on xi May 1979,[iii] tertiary on the bill to Scritti Politti and PragVEC, using backing tape tracks that Johnson created at his twenty-four hours job at De Wolfe studios for the drums and bass. The band at this indicate consisted of Johnson on vocal, electric piano, guitar and tapes and Keith Laws on synthesiser and tapes. It was Keith Laws who suggested the name 'The The' to Matt Johnson.
As the The was now getting underway, Johnson was simultaneously working with experimental synth-pop combo the Gadgets, a studio group he formed with Colin Lloyd Tucker, his colleague at De Wolfe recording studios.
Peter Ashworth, then known as 'Triash' and later to go a noted photographer, became the The's drummer in 1980, and Tom Johnston (likewise managing the The at this betoken and later to get a cartoonist for the Evening Standard, Daily Mirror and The Lord's day newspapers) was added on bass.[4] Although both Ashworth and Johnston were credited with actualization on the The's debut single ("Controversial Subject area"/"Black and White") on 4AD Records, neither really played on the recordings, which were produced by Wire members Bruce Gilbert and Graham Lewis. All instruments were played by Johnson and Laws. Johnston and Ashworth before long dropped out of the The and returned to their respective day jobs. As a duo (Johnson and Laws), the The began performing concerts with Wire, Cabaret Voltaire, DAF, This Estrus, the Birthday Party and Scritti Politti.
In early 1981 the The besides contributed the composition 'Untitled' to the Some Bizzare Album. In September of that year Johnson and Laws signed a bargain with Some Bizzare Records and released the 7" unmarried "Common cold Spell Ahead". By this stage Matt Johnson had begun playing all the instruments himself so Laws left to pursue his studies, leaving Johnson every bit a solo artist using a group moniker.
Johnson was signed up later in 1981 to 4AD Records by Ivo Watts-Russell to record a solo album, Burning Blue Soul. Although all of the instruments and vocals were performed by Johnson, the anthology featured various producers including Wire'south Bruce Gilbert and Graham Lewis, Ivo and Johnson himself. Years afterward, owing to a request from Johnson, it would be re-issued and credited to the The so all of his albums would exist in the same rack together.
Towards the end of 1981, Colin Lloyd-Tucker and Simon Fisher-Turner joined the band for a series of stripped downward the The audio-visual concerts in London.
The solo years (1982–1987) [edit]
Now freed from the politics of a permanent group line-up, Johnson was able to take the The upwardly to the next level, and spent the adjacent few years collaborating with a diverse range of creative individuals, freely changing personnel from projection to project.
The The'due south next single was a retooling of "Cold Spell Alee", now entitled "Uncertain Smile". Produced in New York by Mike Thorne, it reached No. 68 UK. This version is different from the more familiar album version, and featured sax and flute past session player Crispin Cioe rather than (as on the album version) the piano of Squeeze's Jools Holland.
In 1982, the intended debut album by the The (The Pornography of Despair) was recorded, but was never officially mixed nor released.[5] Johnson evidently ran off some cassette copies for friends, and several tracks ("Mental Healing Procedure", "Leap into The Wind", "Absolute Liberation") were subsequently issued every bit additional tracks on the "This Is the Twenty-four hours" single. "Three Orange Kisses from Kazan" and "Waitin' for the Upturn" (featuring Steve James Sherlock playing flute and saxophone) also date from this era, and appeared as B-sides. Some of the previously-mentioned cuts, along with the tracks "The Nature of Virtue" and "Fruit of the Middle" (which were similarly recorded around the same time), appeared as bonus selections on a cassette-simply issue of the band'southward eventual debut album, but The Pornography of Despair album as a whole remains unissued.
Around 1982 the The played a serial of iv concerts at the Marque Society in Wardour Street, Soho, entitled 'An evening of Rock due north Roll with The The'. These concerts were weekly for 4 weeks and featured Marc Almond on guitar and vocals.
The The released their official album debut, the synth-noir classic Soul Mining, in 1983. It featured the pocket-sized UK No. 71 hit "This Is the Day", besides as a new recording of the The performing "Uncertain Smile". Produced by Johnson and Paul Hardiman, it featured invitee appearances from Orange Juice's drummer Zeke Manyika, Jools The netherlands, Thomas Leer and J. G. Thirlwell (aka Foetus).
During the The's more prolific period of releases, from Soul Mining (1983) to Dusk (1992), nigh artwork used on the albums and single releases was produced by Johnson's blood brother Andrew Johnson, using the pseudonym Andy Dog. The artwork has a distinctive way, and sometimes courted controversy, most notably the initial release of the 1986 single "Infected", which featured a masturbating devil and was withdrawn from auction and re-issued with an edited version of the same cartoon.
For the 1986 album Infected, the The nevertheless consisted just of Johnson, but was augmented by session musicians and featured friends such as Manyika and Rip Rig + Panic singer Neneh Cherry and Anna Domino. This album spawned four charting singles in the Uk, notably "Heartland", which made the UK Top 30.[half-dozen] It was also unusual for having a full-length accompanying moving picture. Costing hundreds of thousands of pounds, Infected: The Picture was shot on locations in Bolivia, Peru and New York. Dissimilar songs were directed by different directors, mainly Tim Pope and Peter 'Sleazy' Christopherson (of Throbbing Gristle).
Throughout 1986-1987 Johnson toured the world extensively with Infected: The Movie, showing the motion picture in cinemas in place of performing live concerts. The film was also shown twice in its entirety on Channel 4 in the U.k. and on MTV's 120 Minutes in the US.
In 1987 Johnson also took some tentative steps back into live performance. Whilst promoting Infected: The Picture show in Australia he had a gamble encounter with Billy Bragg, who persuaded him to return to Britain and support Red Wedge, a coalition of agreeing musicians supporting the British Labour Party in its election campaign. Johnson agreed and enrolled longtime friend and collaborator Manyika to bring together him in performing shows in London featuring stripped-down versions of political the The songs such as "Heartland". This experience convinced Johnson to put a band together once over again.
Return to a full ring (1988–2002) [edit]
By 1988, the The was an bodily ring again, Johnson having recruited ex-Smiths guitarist Johnny Marr, ex-Nick Lowe bassist James Eller and ex-ABC drummer David Palmer as fully-fledged members. This line-up, plus guest singer Sinéad O'Connor, recorded the album Mind Bomb, which debuted at No. iv in the UK Albums Nautical chart and featured the band's highest charting single to that fourth dimension, "The Beat(en) Generation", which peaked at No. 18 in the Great britain Singles Chart.[6] The beginning single from Mind Bomb was actually scheduled to be "Armageddon Days Are Here (once more) but with its chorus of "Islam is ascent, the Christians mobilising" and sensitivities over the Salman Rushdie matter that had recently erupted, this vocal was deemed unsuitable for release by Epic/CBS.[ commendation needed ]
Keyboardist D.C. Collard was added to the official line-upward in 1989 (keyboard role player Steve Hogarth, who'd played on Infected, had initially been asked to bring together simply opted instead to become the new lead vocalist of Marillion). The ring embarked on a lengthy earth tour in 1989–90 called the The Versus The World. The live flick of the same name, directed past Tim Pope, was filmed during the three nights the The performed at London'south Regal Albert Hall at the cease of the tour. Singer Melanie Redmond, who had just completed a world bout with Duran Duran, joined the bout during the European leg as a session musician.
The studio EP Shades of Blue was released in 1990. This included cover versions of Fred Neil's "Dolphins" and Knuckles Ellington'southward "Solitude" as well as a new original song "Jealous of Youth" and a alive version of "Another Boy Drowning" from Burning Blue Soul. This and a later EP of remixes, 1993's Dis-infected, were compiled into a 1994 full-length album for the North American market called Solitude.
In 1993, with Johnson, Marr, Collard, Eller and Palmer, Some Bizzare Records/Epic issued the album Sunset, which debuted at No. two in the United kingdom of great britain and northern ireland and spun off 3 Superlative 40 singles in the UK,[6] led by "Dogs of Lust". Another world tour followed, the Lonely Planet bout, at which point the band'southward line-up was reshuffled; Marr and Eller left, and were replaced past Atlanta-based guitarist Keith Joyner and New York bassist Jared Michael Nickerson after Johnson relocated the ring to the U.S. Too added was Boston harmonica actor Jim Plumbing fixtures (formerly of Treat Her Right), who auditioned in New York in early 1993. Palmer bowed out partway through the tour and was replaced by ex-Stabbing Westward drummer Andy Kubiszewski.[3] The band headlined the main stage at the 1993 Reading Festival.
Another full-length film, directed by longtime collaborator Tim Pope, was made for this album. From Dusk Til Dawn was shot in New Orleans and New York, and forth with Johnson and Johnny Marr also featured diverse characters from the New York underground scene such equally sexologist Annie Sprinkle, writer and raconteur Quentin Crisp, Guardian Angels founder Curtis Sliwa, and porn star Rick Barbarous amongst many funfair characters.
Now permanently relocated to New York, the The's adjacent projection was 1995's Hanky Panky, an anthology that consisted entirely of Hank Williams cover tunes. Hanky Panky was recorded past a new group consisting of Johnson, Collard, Plumbing fixtures, ex Iggy Pop guitarist Eric Schermerhorn, ex David Bowie bass guitarist Gail Ann Dorsey (billed as "Hollywood" Dorsey), and drummer the "Reverend" Brian MacLeod. Their cover version of "I Saw The Light" hit No. 31 Uk.Released past Some Bizzare Label / Epic
An experimental anthology called Gun Sluts was recorded in 1997, just left unreleased by the band after it was rejected for being too uncommercial by their characterization.[v] The The severed their eighteen-year human relationship with Sony and moved to Interscope, on Trent Reznor'south Nothing Records banner.
In 2000, the The, now consisting of Johnson, Schermerhorn, Nashville bassist Spencer Campbell and New Bailiwick of jersey drummer Earl Harvin, released NakedSelf and embarked on still another lengthy earth bout, the Naked Tour, this one lasting 14 months. Not counting soundtrack albums, NakedSelf remains the The's terminal released studio anthology to date.
This same line-up besides recorded ii new tracks, "Deep Down Truth", featuring Angela McCluskey on vocals and "Pillar Box Red". Both songs were produced past Clive Langer and Alan Winstanley for the 2002 compilation anthology 45 RPM: The Singles of The The
In June 2002 the The fabricated a sole live appearance at the Meltdown Festival at London's Royal Festival Hall every bit guests of David Bowie. At this bespeak, the band consisted solely of Johnson and longtime friend and collaborator J. M. Thirlwell aka Foetus on tapes and loops, and young moving-picture show director Benn Northover on film and video.[3]
This was the last live performance by the The for 16 years; Johnson had stated on the official the The website in the FAQ section that "There are no plans for one-off shows or tours in the near future but there volition undoubtedly be another The The bout at some betoken."[7]
Hiatus (2003–2017) [edit]
Since 2003, the reclusive Johnson has kept well away from the public heart and has concentrated primarily on soundtrack work, scoring numerous documentaries, films and fine art installations. The The's music has featured in a diverse range of cinema over many years, from cult classics such as Jürgen Muschalek's (Muscha) Decoder ("Three Orange Kisses From Kazan") and Gregg Araki's Nowhere ("Dear is Stronger Than Death") to big-budget epics such as Sylvester Stallone'south Gauge Dredd ("Darkness Falls"), prompting Johnson'southward move into motion-picture show soundtrack composition.
For English manager Nichola Bruce it has included the documentary One Homo Prove: Dramatic Art of Steven Berkoff (1995) and a documentary feature film about the Apollo moon landings, Moonbug,[eight] which was completed in autumn 2010 and won the Special Jury Remi Honour for Theatrical Feature Documentary at the 2011 Houston International Film Festival. The soundtrack was released in 2012 as volume 2 in the series of original soundtrack albums produced through Johnson'southward Cineola banner.
For Swedish filmmaker Johanna St Michaels this has included Best Wishes Bernhard (prize winning moving picture of Dokumentär Films Premien Nordic Panorama 2003), Snapshots From Reality (Nominated for Best International Brusque at the Birds Eye View Motion-picture show festival at London'south ICA 2007) The Track (2007), Going Live (2008), The Island Among the Worlds (2010) and Bilder av Dina (2010). The latest collaboration between Johnson and St Michaels, Penthouse North premiered at the Hot Docs Canadian International Documentary Festival in May 2014.
In June 2009 it was announced that the The had created an original soundtrack to the Gerard Johnson debut characteristic film Tony, released Feb 2010 on the The's Cineola imprint in March 2010, as the first volume of several forthcoming soundtrack and instrumental albums.
In May 2014, the The completed an original soundtrack for Gerard Johnson's subsequent film, Hyena. Starring Peter Ferdinando, Stephen Graham and Neil Maskell. The anthology was released on 6 March 2022 as the 3rd part in the Cinéola series.
Je t'aime Infiniment, a film co-directed by Lebanese filmmaker Corine Shawi and Danish director Nikolaj Bendix Skyum Larsen, was completed in 2010. The latest movie collaboration betwixt Johnson and Larsen is End of Season a Turkish film which premiered at the SALT (establishment) in Istanbul in January 2014.
In May 2007 the The released a new download-only single on their spider web site. Entitled "Mrs. Mac", the track is an autobiographical song about Johnson'due south starting time day at school equally a child in Stratford, Due east London. All instruments and vocals on the track were performed by Johnson.[ix]
A press release was issued forth with this track, announcing a forthcoming the The album called The End of the 24-hour interval with various songs from the The's catalogue being performed past some of Johnson's favourite artists including Elysian Fields, J.G. Thirlwell, Thomas Leer, Elbow, Rob Ellis, John Parish, Anna Domino, Meja, Angela McCluskey, Ergo Phizmiz, "Rustin Man" aka Paul Webb amidst others.[nine] To engagement, the album remains a work in progress, although a preview tin can exist heard at the band'south official site.
Since 2009, "This Is The Day" has been extensively used in loftier-profile advertizing campaigns for Levi's Dockers, M&M's and Amazon. It was used every bit the opening song for the movie I Feel Pretty (2018).
The The's music continued to appear on British radio and television such as in Shane Meadows 2010 Channel four series This Is England '86 and in 2013 in the honour-winning British sit-com Fresh Meat. In 2011 "This Is The 24-hour interval" was covered past British band Manic Street Preachers.
Matt Johnson has created several new artillery of the The:
- Cinéola; a label specifically created for soundtrack and spoken word releases and which are released every bit CDs within minor, hardback books, complete with photographs and text.
- Radio Cinéola; a fifteen-minute 'shortwave radio' broadcast downloadable from the official web site and featuring previews of upcoming releases, works in progress, chats with collaborators and, from the vault, previously unheard cloth. The broadcasts are presented past Johnson and other guests. Shows have and so far included contributions from, and collaborations with, musicians DJ Food, Deadly Avenger, Hayley Willis, Thomas Feiner, Angela McCluskey, Colin Lloyd Tucker plus poet John Tottenham, photographer Steve Pyke, actress Marlene Kaminsky, spiritual healer Abdi Assadi and many others. Monthly downloadable Radio Cineola broadcasts ceased at the stop of December 2010, although the broadcasts continue at randomly chosen dates.
- 50 First State Press; a volume publishing visitor whose name is inspired past the chorus of Johnson's 1986 song "Heartland". The commencement release, in 2012, was Tales From The Ii Puddings, a memoir past Matt's dad, Eddie, which recounts the Johnson family'southward fourth dimension owning i of East London'south most notorious pubs and music houses, the Two Puddings in Stratford. It features many of the legendary customers of this famous pub, such as Jackie Charlton, the Kray Twins, Van Morrison, Bobby Moore, Clyde McPhatter, The Who, Daniel Farson, Terry Spinks and countless others.
In the spring of 2014, information technology was announced by Sony Music Amusement that they plan to release a Soul Mining 30th Ceremony Palatial Edition Boxset in the summer of 2014. The reissue was remastered past Matt Johnson at Abbey Road Studios.
Harper Collins imprint The Friday Projection appear in the spring of 2022 that they would be publishing the offset official biography of the The. Authored by Neil Fraser, it volition evidently[ according to whom? ] have the full cooperation of Matt Johnson.
Johnson told Uncut mag in early 2022 that he was starting to write the first new vocal-based the The anthology since 2000's Nakedself.[ citation needed ] This has not all the same materialised.
Reformation and new material (2017–present) [edit]
For 2017'due south Record Store Twenty-four hours, later on premiering the song on a Radio Cineola broadcast, the The released a new 7" record called "Nosotros Can't Stop What's Coming", collaborating once once more with Johnny Marr. On ten September, it was announced that Johnson would be touring as the The once more for the get-go time in 17 years. Two dates were announced, in Denmark on 1 June 2022 and at Royal Albert Hall on 5 June 2018. The Royal Albert Hall tickets sold out, with two extra performances added at O2's Brixton Academy and The Troxy, both in London. Several more shows effectually the Britain and Europe were afterward added, besides as eight shows in the US. The The also played on two & iii October 2022 in the Sydney Opera House.
The touring declaration came subsequent to the The announcing a new triple-vinyl limited-edition box set, Radio Cineola: Trilogy, to be released when they kick off their first gigs since 2002. Featuring three albums – The Terminate of the 24-hour interval, The Inertia Variations, and Midnight to Midnight – the triple box set bundle, available for pre-guild from 6 Oct 2017, also came with 48-folio leap book which included album lyrics and exclusive photos. The End of the Day contains interpretations of a selection of the The songs from singers beyond the globe and includes the The's contempo unmarried "We Can't Stop What'south Coming". The Inertia Variations features Johnson narrating John Tottenham'south epic poetic cycle. "Midnight To Midnight includes interviews and soundscapes taken from Johnson's 12-hour UK Ballot Day Radio Cineola shortwave broadcast plus the electronic score from The Inertia Variations documentary," said a spokesperson for the ring, speaking to The Quietus.
In Jan 2021, the soundtrack to the 2022 flick Muscle, directed by Gerard Johnson, was released. The first track on this EP was "I Want 2 B U", a new song that was released every bit a 7" single for Record Store Day 2020.[10]
On 29 Oct 2021, the The released The Comeback Special on Cinéola/earMUSIC, a live anthology recorded at the Royal Albert Hall gig in 2018. This album was released in a number of formats, including one release with an art book and a picture show of the performance[xi] [12] [13]
Members [edit]
Current touring band members [edit]
On 18 May 2018, the band members for the live comeback were announced on the official The The Facebook page.
- Matt Johnson – vocals, guitars
- Barrie Cadogan – lead guitar
- DC Collard – keyboards, melodica
- James Eller – bass guitar
- Earl Harvin – drums
Official members [edit]
Matt Johnson is the only permanent member of The The. From 1983 to 1988, and once again from 2002 to the nowadays, he was the just official member of The The.
Official band members have been:
- Matt Johnson – vocals, guitars, keyboards, bass, melodica, engineering.
- Keith Laws – synthesiser (1979–1981). Now a Professor of Neuropsychology at the University of Hertfordshire.
- Tom Johnston – bass guitar (1980). At present a cartoonist for national newspapers.
- Triash (a.yard.a. Peter Ashworth) – drums, percussion (1980)
- Colin Lloyd Tucker – guitars/vocals (1981)
- Simon Fisher Turner – guitars/vocals (1981)
- David Palmer – drums (1985–1994)
- Johnny Marr – guitars and harmonica (1988–1994, 2017)
- James Eller – bass (1988–1994)
- D.C. Collard – keyboards (1989–1997)
- Jim Fitting – harmonica (1993–1995)
- Keith Joyner – guitar (1993–1994)
- Jared Michael Nickerson – bass (1993–1994)
- Eric Schermerhorn – guitars (1995–2002)
- Brian MacLeod – drums (1995–1997)
- Gail Ann Dorsey (billed equally 'Hollywood' Dorsey) – bass (1995)
- Spencer Campbell – bass and backing vocals (1998–2002)
- Earl Harvin – drums (1998–2002)
Collaborators and contributors [edit]
The following artists were non official members of The The, but made notable contributions to various projects past the band.
- Marc Almond – vocals (1982)
- David Johansen – harmonica (1982)
- Fiona Skinner – graphic designer & film-maker: The The logo & font, typography, embrace designs & layouts, video/promo direction.
- J. G. Thirlwell – tapes, samples, percussion (1983–present)
- Andy Canis familiaris – paintings, illustrations, sleeves, (1981–1993)
- Tim Pope – filmmaker (1986–2002)
- Peter Christopherson – filmmaker (1986–1987)
- Jools Holland – piano (1983)
- Thomas Leer – keyboards (1983)
- Jean-Marc Lederman – alive keyboards (1983)
- Zeke Manyika – drums
- Steve Hogarth – piano (1986)
- Neneh Ruby – vocals (1986)
- Anna Domino – vocals (1986)
- Andrew Poppy – arrangement (1986)
- Ashley Slater – trombone (1986)
- Sin̩ad O'Connor Рvocals (1989)
- Melanie Redmond – vocals (1989–1990)
- Vinnie Colaiuta – drums (1993)
- Bruce Smith – drums (1993)
- Danny Thompson – upright bass (1988–1993)
- Lloyd Cole – vocals (1999)
- Benn Northover – filmmaker (2002)
- Ian Peel – producer, audio collage (2002)
- Steve James Sherlock – sax/flute (1979–81)
- Paul "Wix" Wickens – piano/hammond organ/accordion (1983, 1989)
- Mark Feltham – harmonica on Mind Bomb (1989): Kingdom of Rain / Good Morning Beautiful / The Trounce(en) Generation / The Violence of Truth
- Angela McCluskey – vocals on Deep Downwards Truth (2002)
Timeline [edit]
Discography [edit]
Commercially released albums [edit]
- Matt Johnson: Burning Blue Soul (1981)
- Original release and 1983 reissue credited to Matt Johnson. The 1993 re-release of Burning Blueish Soul credits this album to The The.
| Year | Album details | Peak chart positions | Certifications (sales thresholds) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| U.k. [6] | AUS [fourteen] | AUT [15] | GER [16] | NED [17] | NOR [18] | NZ [nineteen] | SWE [xx] | SWI [21] | US [22] | |||
| 1983 | Soul Mining | 27 | seventy | — | — | 14 | — | 16 | — | — | — |
|
| 1986 | Infected | 14 | 15 | — | — | 46 | 14 | 12 | 20 | — | 89 |
|
| 1989 | Mind Bomb | four | 32 | — | 24 | 39 | — | 3 | 30 | — | 138 | |
| 1993 | Dusk | 2 | 20 | 28 | 23 | 37 | 10 | 6 | 15 | 20 | 142 | |
| 1995 | Hanky Panky | 28 | — | — | 66 | — | 17 | — | 22 | fifty | — | |
| 2000 | NakedSelf | 45 | — | — | lxxx | — | — | — | — | — | — | |
| 2010 | Tony Soundtrack anthology from the film | — | — | — | — | — | — | — | — | — | — | |
| 2012 | Moonbug Soundtrack album from the moving-picture show | — | — | — | — | — | — | — | — | — | — | |
| 2015 | Hyena Soundtrack anthology from the film | — | — | — | — | — | — | — | — | — | — | |
| 2020 | Muscle Soundtrack album from the picture show | — | — | — | — | — | — | — | — | — | — | |
| 2021 | The comeback special: Live at the Royal Albert hall | 41 | — | — | twenty | — | — | — | — | — | — | |
Compilation albums [edit]
- Solitude (1993)
- 45 RPM (2002)
- London Town Box Set (2002)
Exclusive The The tracks appear on the following compilation albums of tracks by various artists:
- Some Bizzare Album (1981)
- Natures Mortes - Still Lives (1982)
- If You Tin't Delight Yourself, You lot Can't Please Your Soul (1985)
- Approximate Dredd Original Move Picture Soundtrack (1996)
- Mitra Music for Nepal (2015)
- 90'southward Rarities - Volume 2 (2016)
Unreleased, limited edition and promo-only albums [edit]
The recording career of The The/Matt Johnson features numerous full-length albums that have never seen commercial release. Despite their unavailability on disc, Johnson includes these albums in almost every official discography issued past the band.
| Year | Artist | Title | Notes | |
|---|---|---|---|---|
| Clarification | Release condition | |||
| 1978 | Matt Johnson | See Without Existence Seen | A Matt Johnson solo project | Very limited cassette release, simply available at concerts. Eventually released through the website as limited edition cassette tape in 2019. |
| 1979 | Matt Johnson | Spirits | A Matt Johnson solo project | Unreleased in any grade. One track ("What Stanley Saw") later licensed to Scarlet Red Records for their compilation Perspectives & Distortion |
| 1982 | The The | The Pornography of Despair | Scrapped debut album | Commercially unreleased. Some cassette copies were run off for friends of Matt Johnson. Several tracks were later used as B-sides and bonus tracks on other albums |
| 1997 | The The | Gun Sluts | Completed album for Sony, who declined to release it. Office I of a planned "New York" trilogy; NakedSelf was Part 2. | Unreleased. Some "rough mixes" have been streamed at The The website |
| 2000 | The The | Karmic Gravity | Part Iii of the "New York" trilogy of albums. Alternate championship: 2 Blocks Below Culvert Street. Recorded, but unmixed | |
| 2002 | The The | Film Music | Compilation of soundtrack music | Promotional-simply release |
| 2007 | The The | The End of the Twenty-four hours | Collaborative piece of work with many other artists | Announced as "forthcoming" in May 2007. Was eventually released in October 2022 in the Radio Cineola - The Trilogy box set up. |
Singles [edit]
| Year | Title | Chart positions | Album | |||||||
|---|---|---|---|---|---|---|---|---|---|---|
| UK [6] [24] | AUS [fourteen] | GER [16] | IRE [25] | NED [17] | NOR [eighteen] | NZ [nineteen] | US Alt [26] | |||
| 1980 | "Controversial Subject" | — | — | — | — | — | — | — | — | |
| 1981 | "Cold Spell Ahead" | — | — | — | — | — | — | — | — | |
| 1982 | "Uncertain Smile" | 68 | 43 | — | — | — | — | — | — | Soul Mining |
| 1983 | "Perfect" | 79 | — | — | — | — | — | nineteen | — | |
| "This Is the Day" | 71 | — | — | — | — | — | — | — | Soul Mining | |
| "Uncertain Smile" (re-issue) | 100 | — | — | — | 31 | — | — | — | ||
| 1986 | "Sweet Bird of Truth" | 88 | — | — | — | — | — | 19 | — | Infected |
| "Heartland" | 29 | — | — | 26 | — | — | — | — | ||
| "Infected" | 48 | 24 | — | 29 | — | — | — | — | ||
| 1987 | "Slow Train to Dawn" (featuring Neneh Cherry-red) | 64 | 95 | — | 19 | — | — | — | — | |
| "Sweetness Bird of Truth" (Britain re-issue) | 55 | — | — | — | — | — | — | — | ||
| 1989 | "The Beat(en) Generation" | 18 | 50 | 82 | 8 | — | — | 4 | 13 | Listen Bomb |
| "Gravitate to Me" | 63 | 147 | — | 28 | — | — | 27 | fifteen | ||
| "Armageddon Days Are Here (Once again)" | 70 | — | — | — | — | — | — | — | ||
| "Kingdom of Rain" | — | — | — | — | — | — | — | 16 | ||
| 1990 | "Jealous of Youth" | — | — | — | — | — | — | — | 7 | Solitude |
| 1991 | Shades of Blue (EP) | 54 | 87 | — | — | — | — | — | — | |
| 1993 | "Dogs of Lust" | 25 | 70 | — | xviii | — | 7 | 16 | 2 | Dusk |
| "Irksome Emotion Replay" | 35 | — | — | — | — | — | — | — | ||
| "Love Is Stronger Than Expiry" | 39 | — | — | — | — | — | — | fourteen | ||
| Dis-Infected (EP) | 17 | — | — | 28 | — | — | — | — | ||
| 1995 | "I Saw the Lite" | 31 | — | — | — | — | — | — | 24 | Hanky Panky |
| 2000 | "Shrunken Man" | — | — | — | — | — | — | — | — | NakedSelf |
| 2007 | "Mrs Mac" | — | — | — | — | — | — | — | — | |
| 2017 | "We Can't Stop What's Coming" | — | — | — | — | — | — | — | — | |
| 2020 | "I WANT two B U" | — | — | — | — | — | — | — | — | Record Store Twenty-four hours release |
See as well: Solitude (EP) which was released in Dec 1999 and contained remixes of The The songs—nearly notably, "That Was the Solar day", a version of their single, "This Is the Day".
References [edit]
- ^ "The The promo: Johnny Marr interviews Matt Johnson". YouTube. Archived from the original on 17 November 2021.
- ^ David Roberts, ed. (2006). British Hit Singles and Albums. Guinness Earth Records Limited. p. 555. ISBN978-1904994107.
- ^ a b c "This Is The The Day – Library". Thethe.com. Archived from the original on 17 July 2011. Retrieved 2 Apr 2011.
- ^ Larkin, Colin (1995). The Guinness encyclopedia of popular music. Vol. 3 (2nd revised ed.). Guinness Publishing. p. 2190. ISBN354063293X.
- ^ a b The The Discography – Albums Archived 7 January 2010 at the Wayback Machine
- ^ a b c d e "Official Charts > The The". The Official U.k. Charts Visitor. Retrieved 9 June 2017.
- ^ "Thethe.com". Thethe.com. Archived from the original on 17 July 2011. Retrieved 2 Apr 2011.
- ^ "Nicholabruce.com". Nicholabruce.com. Archived from the original on 12 May 2010. Retrieved 2 April 2011.
- ^ a b "British Band The The Release 'Mrs Mac' – Their Beginning Single in Over Five Years". Billboardpublicitywire.com. Archived from the original on ix May 2007. Retrieved 2 April 2011.
- ^ "The The Channels "This Is The Day" With New Single: I Want 2 BU"". 3 September 2020.
- ^ "The The announce multi-format project 'The Improvement Special'". 22 May 2021.
- ^ "THE Improvement SPECIAL – LIVE AT THE ROYAL ALBERT HALL IN 2018". 21 May 2021.
- ^ "The The announce The Comeback Special multi-format release". 24 May 2021.
- ^ a b Australian chart peaks:
- Peak 100 (Kent Music Written report) peaks to xix June 1988: Kent, David (1993). Australian Nautical chart Book 1970–1992 (Illustrated ed.). St. Ives, N.Due south.W.: Australian Chart Book. p. 307. ISBN0-646-11917-half-dozen. N.B. The Kent Report chart was licensed by ARIA between mid-1983 and 19 June 1988.
- Peak 50 (ARIA) peaks from 26 June 1988: "australian-charts.com > The The in Australian Charts". Hung Medien. Retrieved 19 November 2011.
- Top 100 (ARIA) peaks from Jan 1990 to December 2010: Ryan, Gavin (2011). Australia's Music Charts 1988–2010. Mt. Martha, VIC, Commonwealth of australia: Moonlight Publishing.
- "Gravitate to Me": "Week commencing xiv August 1989". Retrieved eleven February 2022.
- ^ "austriancharts.at > The The in der Österreichischen Hitparade" (in German language). Hung Medien. Retrieved xix November 2011.
- ^ a b German chart peaks:
- Heed Bomb: "The The – Listen Bomb (album)" (in German). GfK Amusement. Retrieved 9 June 2017.
- Sunset: "The The – Dusk (album)" (in German). GfK Entertainment. Retrieved 9 June 2017.
- Hanky Panky: "The The – Hanky Panky (album)" (in German). GfK Entertainment. Retrieved 9 June 2017.
- NakedSelf: "The The – Naked Self (album)" (in German language). GfK Amusement. Retrieved 9 June 2017.
- "The Beat(en) Generation": "The The – The Shell(en) Generation (unmarried)" (in High german). GfK Entertainment. Retrieved 9 June 2017.
- ^ a b "dutchcharts.nl > The The in Dutch Charts" (in Dutch). Hung Medien. Retrieved nineteen November 2011.
- ^ a b "norwegiancharts.com > The The in Norwegian Charts". Hung Medien. Retrieved 19 November 2011.
- ^ a b "charts.nz > The The in New Zealand Charts". Hung Medien. Retrieved 19 November 2011.
- ^ "swedishcharts.com > The The in Swedish Charts". Hung Medien. Retrieved 19 Nov 2011.
- ^ "hitparade.ch > The The in der Schweizer Hitparade" (in German). Hung Medien. Retrieved nineteen Nov 2011.
- ^ "Billboard > Artists / The The > Nautical chart History > Billboard 200". Billboard . Retrieved ix June 2017.
- ^ a b "Certified Awards Search Archived 24 September 2009 at the Wayback Machine". British Phonographic Industry. Retrieved 2011-eleven-19. Note: User needs to enter "The The" in the "Search" field, "Artist" in the "Search by" field and click the "Get" button. Select "More info" next to the relevant entry to see full certification history.
- ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness Earth Records Limited. p. 555. ISBN1-904994-10-5.
- ^ "The Irish Charts – All in that location is to know > Search results for diverse titles (from irishcharts.ie)". Imgur.com (original source published by Fireball Media). Retrieved ix June 2017. N.B. It was necessary to search for each entry by title on the source site, every bit searching for 'The The' yields search results with all artist names containing 'the' in the championship.
- ^ "Billboard > Artists / The The > Chart History > Alternative Songs". Billboard . Retrieved ix June 2017.
External links [edit]
- Official website
- The The - Infected (Video) on YouTube
Source: https://en.wikipedia.org/wiki/The_The
0 Response to "The the Armageddon Days Are Here Again Songmeanings"
Post a Comment